ARRI ALEXA 35 Cinema Camera
Contact us for an offer
ARRI ALEXA 35 Cinema Camera
Vendor ARRI
Stock Contact us to check availability!
Do you have a question?
ARRI ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor for 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colors.
The new REVEAL Color Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and a complete new mechanical support system round out the ALEXA 35 platform.
ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Filmmakers gain 1.5 stops in the highlights and a stop in the shadows over previous ALEXA cameras, while retaining the naturalistic, film-like highlight roll-off. Sophisticated stray-light suppression ensures that the full character and contrast range of each lens is captured. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best possible source for HDR (High Dynamic Range) projects.
Impressively low noise and sensitivity settings ranging from EI 160 to EI 6400 make ALEXA 35 a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low light. This exceptional sensitivity, combined with the wider dynamic range and truer contrast, allows ALEXA 35 to capture the most delicate nuances of light and shadow in a wider range of shooting situations. Filmmakers can work with available light in real locations, safe in the knowledge that even at extreme ISO values, any noise will have a pleasingly film-like structure.
Introduced alongside the ALEXA 35 is REVEAL Color Science, which is the collective name for a suite of image processing steps that, along with the new sensor, help the camera to record more accurate colors with subtler tonal variations. Skin tones of all types and colors are rendered in a flattering, lifelike way. Highly saturated colors such as those in neon signs or car brake lights are captured with incredible realism, as are typically challenging colors like cyan, burgundy, and pastel shades. Overall, the true-to-life color fidelity and amazing resolving power of the sensor make for beautiful, immersive images.
With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with the vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice.
A total of 19 recording formats, incorporating efficient in-camera downsampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs. Mixed Reality Productions (MRP) will benefit from the camera's ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI's Live Link Metadata Plug-in for Unreal Engine.
ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera's capabilities and ensure maximum speed and versatility on set. Closely integrated electronic accessories offer additional power outputs or extended audio features. A complete new set of mechanical support items provides flexible options for any situation, scaling quickly and easily from a small and lightweight setup to a full-blown production configuration. ALEXA 35 is available in sales sets that group together components suitable for different shooting styles and production types, with further accessories and system options facilitating countless setups.
ALEXA 35 utilizes the B-Mount battery interface, an open industry standard endorsed by ARRI and the wider industry. Providing high-capacity 24 V power, but also able to support 12 V, B-Mount offers more efficiency and improved data communication over previous systems. Cross-compatible with camera, lighting, and stabilizer equipment from manufacturers worldwide, it enables productions to streamline their power requirements.
Tech Specs for ARRI ALEXA 35
Sensor Type
|
Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
|
Sensor Photosites and Size
|
4608 x 3164
|
Sensor Frame Rates
|
0.75 - 120 fps
|
Project Frame Rates
|
23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps
|
Weight
|
2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))
|
Sensor Active Image Area (dimensions)
|
4.6K 3:2 Open Gate: 28.00 x 19.20 mm / 1.102 x 0.756"
|
Sensor Active Image Area (photosites)
|
4.6K 3:2 Open Gate: 4608 x 3164
|
Shutter
|
Electronic shutter, 5.0°- 356° or 1s - 1/8000s
|
Recording Codecs
|
MXF/ARRIRAW
|
Recording Media
|
Codex Compact Drive 1TB (CA08-1024), Codex Compact Drive 2TB (CB16-2048
|
Recording Modes
|
Standard real-time recording, Pre-recording
|
Viewfinder Type
|
Multi Viewfinder MVF-2 with OLED viewfinder display (1920 x 1080) and 4" LCD flip-out monitor (800 x 400)
|
Viewfinder Diopter
|
Adjustable from -5 to +5 diopters
|
Color Output
|
Rec 709, Rec 2020, Rec 2100 PQ, Rec 2100 HLG, LogC4
|
White Balance
|
Manual and auto white balance, adjustable from 2000K to 11000K
|
Filters
|
Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8
|
Audio Inputs
|
1x AUDIO (LEMO 6-pin) for balanced stereo line in
|
Audio Outputs
|
1x 3.5 mm stereo headphone connector (on MVF-2)
|
Audio Recording
|
4 channel linear PCM (24 bit, 48 kHz)
|
Interfaces
|
1x LBUS (LEMO 4-pin) for lens motors, daisy chainable
|
Wireless Interfaces
|
Built-in WiFi module (IEEE 802.11b/g)
|
Lens Mounts
|
ARRI LPL Mount (LBUS)
|
Flange Focal Depth
|
LPL Mount: 44 mm , PL mount: 52 mm
|
Power Inputs
|
1x PWR (LEMO 8-pin)
|
Power Outputs
|
1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse
|
Measurements (HxWxL) | 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0" (camera body with LPL lens mount) |